My painting practice explores transformation through provisional materials. Waste textiles become paper, and pigments gathered from routine circumstances join with traditional oil. Through dreams, fantasy, observation, and tangibility I imagine time collapsed as fragments of earth and body come together to form images and abstractions.
I also create situations that explore and encourage engagements with our more-than-human companions. Forming relationships with plants and animals has always grounded me. By interrupting constructs based in speciesism and separation, my practice works to envision a future of life interconnected against environmental catastrophe.